TRANSCENDENTAL THOUGHT IN HENRY OF GHENT JAN A. AERTSEN (K6LN) 1. Introduction: Henry as a "transcendental" philosopher (J. Paulus) "If it is proper to an...

This modest contribution has been occasioned by the publication of the Proceedings of an international colloquium held at the De Wulf-Mansion Centre of the Institute of Philosophy in commemoration of the seven-hundredth anniversary of the death of Henry of Ghent. This colloquium had a twofold purpose: «first to establish a status quaestionis of the different fields of research concerning Henry’s doctrines and the critical edition of his work and, second, to provide a forum for specialists to exchange (...) ideas and insights on specific problems. The publication of the Proceedings offers an assessment of our present knowledge and opens up possibilities for further research». It is only natural, then, that the present contribution takes over this twofold end. On the one hand it will attempt to give a survey of what has been achieved thus far in studying Henry’s thought. On the other hand it hopes to derive from this survey a picture of what has been left undone until now, in order to set out a few lines for future research. More in particular it will push forward one issue that has been stepmotherly dealt with: relation. (shrink)

This tribute to Carlos Steel, director of the De Wulf-Mansion Centre and former Dean of Philosophy at Leuven University, offers a full bibliography of this eminent scholar's research in areas of ancient thought, critical editions of medieval texts, and central issues dealt with by prominent medieval speculators. This is followed by eleven essays arranged in three major groupings.

"This work attempts to establish a philosophy of art that is both intellectual and objective. At first sight it may appear that these goals are at variance with contemporary ideas. On closer examination, however, the reader will see that the tendency is in the opposite direction, a closer approach to present-day thought rather than a departure from it. To admit that there exists a world other than that of our subjective states is to subscribe to an interpretation more in keeping (...) with the real, and thus also with artistic reality. The intellectual and objective philosophy to which this book appeals in order to interpret the beauty of art will not be an intrusion, if it guards against all exclusiveness and does not itself compromise that which gives it its value."--Provided by publisher. (shrink)